I am gradually making friends with Painter Mobile Pro. Most of it happens on the Galaxy 5 phone because the screen on my tablet responds to a stylus a little erratically. The phone allows to draw surprisingly precise thin lines, it does not mind blending, smudging, or multiple layers. Well, for the most time. Every now and then it needs a little time to show me the result. Very handy for sketching on the go but still does not exactly a replacement for real tools and paper.
pen and ink, pastel on Canson drawing paper, 6″ x 4″
Trying out new artist pens that I got for the New Year. They are Sharpy Stylo and Pigma Micron pens. So far, Micron ones win with a little finer lines and more steady ink flow (that’s the left and center leaves).
I wanted to finish this one yesterday and make it my last horse drawn in the departing year of the Horse, but of course that didn’t happen. So let it be the first horse of the new year with many more to follow.
I want to thank you all for following me and supporting my art and wish you all the very best in the new year 2015!
The fourth piece in the “Gathering” series got no horses, it is dedicated to the beauty of many rock patterns.
I think I will do the final piece the same way, without any representative images. Most comments that I get about this series is about the beauty of rocks themselves it seems fitting to get back to the original idea and focus on that.
Mission College is located at 3000 Mission College Blvd, Santa Clara, CA 95054. The gallery is in the Gillmor Center, room 102. See the map of its location here: GC-102.
The exhibit will be on from Wednesday, November 12 till Wednesday, December 10, 2014.
The opening reception for Silicon Valley Small Works will be held on Wednesday, November 12 from 4-7 pm.
The Vargas Gallery is open Mon. 3-6 pm, Tues. 1-5 pm, Wed. 3-6 pm, Thurs. 1-5 pm, Friday 1-4 pm, Sat. 12-2 pm. Closed November 27 – 30 for Thanksgiving.
colored pencils on Strathmore colored paper, 4″ x 6″
Just let the pencils have their way with the paper to take the mind off a rather detailed pieces I work on. Not sure if the result qualifies for an abstract since there is definitely a figure in it.
Here is my newest tiny digital canvas. I haven’t done any for a few months and completely forgot my past experience with colored pencil on this kind of surface. It is a bit slippery and does not allow to build up really dark darks unless you carefully plan for them from the beginning and use very sharp pencils all the time. Unlike with paper or traditional linen canvas it is not possible to start with lighter colors everywhere and then go darker in as many layers as necessary. Darker colors on a digital canvas start to chip off relatively quickly if you are not careful.
So with a refreshed memory, I am now going to use digital canvas with soft graphite pencils only and leave colors to linen ones. Or maybe it’s worth trying to gesso a digital canvas and see if it becomes more tolerant to dark colored pencils.
So most of my ideas are not suitable for small shapes and have to be put aside for now. I think there is a larger rocky piece in my feature; meanwhile this one continues to take shape.
Updated: October 2, 2014
I have more ideas for rock textures that are going to fit into this small piece, and not all of them are going to play nicely together. Decisions – they are very time consuming.
Original post: September 9, 2014
For the third piece in the “Gathering” series I decided to start with the horses instead of smaller rocks. Apparently it is easier to complete more critical parts of the drawing first than worry about ruining the entire thing if something in the horse does not look right. Who knew! So, outlines are done, one foal is completed but may need some touch-ups when I get to its rock, the other one is not giving me problems so far.
You can see the first two drawings in the series here and here.
Just learned that one of my pieces in the Bay Area Wildlife art show, Explorer, was featured in The Epoch Times newspaper. Nice surprise. Thanks Teresa Silvestri for letting me know!
And it’s done! I don’t think there is anything to add to it, but if I were to do this piece all over again I would approach it completely differently. It was a nice detour from fully realistic colors and a few purely technique-related things I usually use.
He looks more like a living creature now and almost ready for darks to be added. The white stripe will need some gentle work first.
Updated: April 21, 2014
Well, it’s been a while since I started this portrait, several different small projects got in the way, but finally I am back to the little foal.
In the end, he won’t be nearly as colorful as right now (or at least I hope for that), but it will be interesting to see what bright violet and yellows will be able to add to regular coat colors.
Original post: Jan 18, 2014
I think it’s been a terrible while since I drew a horse that fits on piece of paper bigger that 4″ x 6″. Time to change that, so here’s the beginning of a very young foal’s head. Because for some reason I chose rough Bienfang watercolor paper, it may take a while to build up colors in this one. And it’s not just rough, it’s somewhat slippery too. But we will see. So far it was mostly working on the background to get a better feel of the paper that is new to me before adding much detail to the foal.
Show: Saturday, September 13, 2014 – 10 AM to 5 PM
Location: Cupertino Room, Quinlan Community Center, 10185 N.Stelling Rd, Cupertino, CA 95014
I will be sitting in the FALC booth (M01) outside of the Quinlan Center with my fellow artists the entire Saturday and will be glad to chat with my old and new friends.
“Truckee River” earned the 1st place at the Campbell Artists’ Guild 16th Annual Art Show in the Drawing category.
Truckee River ~ colored pencil on colored paper, 9″ x 6″
“This is a little gem. I like the composition very much, focusing as it does on a small pocket of water off the Truckee River. The colors are delicate and exquisite showing good variation and are very convincing.” ~ Jeff Bramschreiber, juror
We had a wonderful reception today, thank you everybody who made it to the Rose Shenson Gallery.
The show will stay open till August 31 on Fridays, Saturdays, and Sundays, 12 pm – 4 pm at the Triton Museum of Art, 1505 Warburton Ave, Santa Clara, California. Stop by if you are in the area, there is a lot of wonderful art to see.
Plum Blossoms in Los Gatos Creek Park ~ Prismacolor colored pencil on Bristol paperOn the Way I ~ Faber-Castell oil pastel on Strathmore colored paper, 8″ x 10″
A few of my works will be on display at the Rose Shenson Gallery of the Triton Museum of Art:
Changing Colors ~ pastel pencil on drawing paper, 6″ x 4″Sleepy Creek ~ graphite pencil on drawing paper, 6″ x 4″The Old Oak ~ charcoal on drawing paper, 4″ x 6″Truckee River ~ colored pencil on colored paper, 9″ x 6″
The show will be open August 1-31 on Fridays, Saturdays, and Sundays, 12 pm – 4 pm.
Reception is on Sunday, August 3, 1:30-3:30 p.m. There will be festive music, a plethora of delicious finger food and libations, and an opportunity to meet many talented artists.
The Rose Shenson Gallery is located behind the Triton Museum of Art in Santa Clara, 1505 Warburton Avenue.
I was asked more than once why I don’t draw owls, and given the fact that they are my next favorite animals after horses it really begs the question. My explanation so far was that it’s far easier to obtain my own horse reference which is always preferred over free and inexpensive options that can be used by somebody else too.
However, the time keeps marching by, and my own supply of owl photos stays at zero. I do see owls every now and then which is very nice, but the lighting conditions are such that even the best camera in the world will not help my shaky coffee hands to make even a semi-decent shot. So I finally looked for other options.
So now I have my very own owl peaking out of a crumbling wall. Thank you, Lynton Bolton, for a great reference photo.
An observation: if an owl has light, fluffy feathers they will do everything they can to turn out a mess. They observe no rules, no order, nothing of what fur usually does.