“Improbable Dreams of a Tree” goes to the HIP 2B Square show

Yelena Shabrova ~ Improbable Dreams of a Tree ~ colored pencil on primed wood panel, 12" x 12"
Improbable Dreams of a Tree ~ colored pencil on primed wood panel, 12″ x 12″

Delivered my latest drawing to the Sequoia Gallery today. It is for the HIP 2B Square show that benefits this nice and cozy cooperative gallery and its artist studios. The show opens on April 2nd with a reception and award announcements and runs through May 3.

Sequoia Gallery is located at 136 SE 3rd Avenue, Hillsboro, OR 97123. Hours: Tuesday – Saturday from 10 am – 5 pm.

The gallery provided an option of a 12″ x 12″ Blick canvas or primed and cradled wood panel, and I chose the panel.

After the fiasco with an Ampersand panel it was interesting to try something different. To my delight, the texture of the gessoed wooden surface was strong but pretty even and was almost as easy to work with as good textured paper. I will do more with it, just maybe without cradles. Not a big fan of working edges of those things.

Updated on April 4, 2019

    Overlooked Beauty

    Yelena-Shabrova ~ Overlooked-Beauty ~ colored pencil on wood panel, 4" x 4"
    Overlooked-Beauty ~ colored pencil on wood panel, 4″ x 4″ ~ $45.00

    Lady’s smock (cuckoo flowers) are tiny and very unassuming when we walk past them or over them. Their beautiful purple, lilac, and whitish colors is about all that can be easily appreciated when they form a patch. I love shooting and drawing little things like these and then look closely at the shapes, lines, and colors that make them up and draw it all bigger than in real life.

    This was my first attempt to use colored pencils on wood and do a three-dimensional piece. While it was an interesting experience spreading a drawing over more than one plane I think I will stick to my usual two dimensions. But I do want to continue experimenting with drawing on wood. It adds a unique glow that shines through pencilwork and makes it look quite different. I like that.

    As it turned out, I need to be careful placing strokes over wood; the same color will look differently as wooden textures change over the board, as strokes are laid along the fibers, across them, or at an angle. And forget about scanning the finished piece. A lot of fine color details get lost along with the wonderful glowing effect of the wood.

    The original is available in my Colored Pencil online gallery for $45.00