I love drawing with limited palette. It’s a great exercise in coming up with colors for which I don’t have a pencil. It eliminates the agony of going through a hundred and a half colored pencils trying to figure out which ones to layer (and in which order!) to get what I want. And as a bonus, it feels a bit like doing magic.
Here, Kirsty Partridge shows how to approach one of the most complex subjects, human skin, with just a few carefully selected colored pencils.