As much as I enjoy the gessoed canvas, it has one serious problem when it comes to colored pencils: the unsupported area inside the mini stretcher bars. I found two workarounds: working with a very sharp point that does not require much pressure and keeping a finger against the back of the canvas when I need to burnish. Unfortunately, burnishing does not happen without pressure.
Slava suggested to try a digital canvas on a piece of wood. We had a few samples left from the time when he was in the process of finding the best canvas for his photography, and he stretched one for me. The sunset above is my first mini landscape on the new surface. Lessons learned:
- a digital canvas is finer and more dense
- it has more “tooth” (or what should it be called in this case?), and even a slightly dull point will leave white gaps on it
- it is not possible to correct small mistakes with a white pencil on a digital canvas
- all strokes, even those made with a dull point, look harsher on a digital canvas than on a traditional one
It feels like a good surface, I just need to adjust to it.