A sketch a day: storm

Posted by Yelena Shabrova

Yelena Shabrova ~ A sketch a day: storm ~ pastel & charcoal, 6" x 4"

A sketch a day: storm ~ pastel & charcoal, 6″ x 4″

A somewhat failed experiment with charcoal on top of soft pastels – I was aiming for a little different, more dramatic look. Apparently a workable fixative is not capable of holding even a thin amount of pastel in place, and it keeps mixing with charcoal. I wonder what would work better?

“Muncher” was selected for the Special Merit Category of the Animals Art Exhibition

Posted by Yelena Shabrova

Got notified today that “Muncher” was selected for the Special Merit Category of the Animals Art Exhibition held by Art Space & Time Online Art Gallery.

The gallery received 900 entries from 24 different countries from around the world. The final selection features amazing creations in all kinds of different media, and I am happy to be a part of it.

The winning entries will be featured on the Light Space & Time website for the month of June 2016 and then will remain online in the Light Space & Time archives.

Hello… (horse head in colored pencil, 11″ x 14″) – in progress

Posted by Yelena Shabrova

Updated: April 26th, 2016

Yelena Shabrova ~ Hello (work in progress) ~ colored pencil on Strathmore watercolor paper, 11" x 14"

Hello (work in progress) ~ colored pencil on Strathmore watercolor paper, 11″ x 14″

So it was a good idea to use graphite first, then continue with color on top of it. Maybe a softer grade like H6 would be more efficient, especially on a textured paper like this one. The disorganized colors that are already there are from different kinds of strokes I tried to see what works better.

Updated: December 10th, 2015

Yelena Shabrova ~ Hello (work in progress) ~ colored pencil on Strathmore watercolor paper, 11" x 14"

Hello (work in progress) ~ colored pencil on Strathmore watercolor paper, 11″ x 14″

Back to the unfortunate horse who is now ready for color! I am done with the graphite underdrawing (if this is not a word it should be) and securing it with a workable fixative. Let’s see if that speeds up adding darks with colored pencils. Rainy shooting conditions made it look like there are at least two different tones of graphite, but in reality it’s the same tone.

Original post: Feb 21, 2015

Yelena Shabrova - Hello, drawing of a horse head in progress - Prismacolor colored pencils on Strathmore  watercolor paper, 11" x 14"

Hello (work in progress) ~ colored pencils on Strathmore watercolor paper, 11″ x 14″

I don’t think I have ever been this excited to see a rough drawing of a horse head finally appearing on a piece of paper as planned. There were at least two iterations that were not to my liking at all, but finally everything is where it should be, the sketch is transferred to the final watercolor paper (it’s a Strathmore one with nice slightly uneven surface), and I can move on to preliminary shading with graphite.

The horse is picking out of a barn door window, but it is barely visible right now. I need to decide whether to keep it white like in the reference photo or make it natural wood. The horse is going to be light chestnut with a lot of color nuances in the face, and even weathered white seems to be too stark next to all that, so most likely I will use some kind of amber or light wood for the window.